Course details

This MA introduces students to the advanced study of American and British literature and film, from the eighteenth century to the present day. Under the guidance of leading scholars in their fields, students will encounter some of the most influential contemporary critical and theoretical models currently being applied to the notions of modernity and modernisation, and apply the ideas raised by these theories to a rich variety of literary and filmic texts from such movements as Romanticism, Modernism, and Postmodernism. Writers and directors who are studied range from canonical Romantics and modernists, including P.B. and Mary Shelley, Virginia Woolf, and Samuel Beckett, to recent and contemporary novelists and filmmakers such as Thomas Pynchon and Stanley Kubrick. Among theorists of modernity, students can expect to examine Freud, Nietzsche, de Beauvoir, Habermas, and Jameson, and to explore the relevance of their ideas to a deeper understating and greater appreciation of the literature and film in this period. 

Course Details

The MA in English (Modernities) consists of two parts: a taught course and a dissertation.

Programme Requirements

Students take 90 credits as follows:

Part I  (50 credits)

  • EN6009 Contemporary Literary Research: Skills, Methods and Strategies (10 credits) 
  • EN6028 Theories of Modernity (10 credits)

Plus

30 credits from:

  • EN6025 Literary and Cultural Modernisms (10 credits) 
  • EN6026 Postmodernism in Literature and Film (10 credits) 
  • EN6027 Romanticism and Modernity (10 credits)
  • EN6029 American Modernities (10 credits)
  • FX6007 American Cinema (10 credits)

Part II  (40 credits)

  • EN6017 Dissertation in English (40 credits)

Detailed Entry Requirements

To be considered for admission to an MA programme within the School of English, an applicant will normally possess a primary degree result of Second Class Honours Grade 1 (2H1) level or higher or equivalent qualification in English or a cognate subject. All candidates must satisfy a Selection Committee who may request applicants to provide letters of reference.

For North American students a cumulative GPA of at least 3.3 is expected.

Course Practicalities

The course involves a combination of seminars, consultation, presentations and directed study as well as associated reading. You will carry out independent research for your dissertation in close consultation with your supervisor.

Assessment

Continuous assessment including written assignments, in-class assignments, seminar participation and presentation, research journal, literature and IT review and research presentation. You will have four written assessments (2000 words each) in the Modernities module and seminar participation.

Updated on 08 November, 2015

About University College Cork

UCC was established in 1845 as one of three Queen’s Colleges - at Cork, Galway and Belfast. These new colleges theyre established in the reign of Queen Victoria, and named after her.

Queen's College, Cork (QCC) was established to provide access to higher education in the Irish province of Munster. Cork was chosen for the new college due to its place at the centre of transatlantic trade at the time and the presence of existing educational initiatives such as the Royal Cork Institution and a number of private medical schools.

The site chosen for the new college was dramatic and picturesque, on the edge of a limestone bluff overlooking the River Lee. It is associated with the educational activities of a local early Christian saint, Finbarr. It is believed that his monastery and school stood nearby, and his legend inspired UCC’s motto: ‘Where Finbarr Taught, let Munster Learn.’

On 7 November 1849, QCC opened its doors to a small group of students (only 115 students in that first session, 1849-1850) after a glittering inaugural ceremony in the Aula Maxima (Great Hall), which is still the symbolic and ceremonial heart of the University.

The limestone buildings of the Main Quadrangle (as it is now known) are built in a style inspired by the great universities of the Middle Ages, and theyre designed by the gifted architectural partnership of Thomas Deane and Benjamin Woodward. The iconic image of UCC, it is set in landscaped gardens and surrounds the green lawn known to all as the Quad.

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